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发表于 2020-5-3 21:56
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本帖最后由 罗志海 于 2020-5-6 06:13 编辑
对联体诗律则
一、对联体诗律则参照诗律联律制定。
二、对联体诗于2015年2月6日由罗志海撰写对联体诗《山高一鸟寂》后创立，至2020年5月3日，已写作第10000首《古往今來》。
http://www.chinapoesy.com/gongxi ... 9-2a2d08b9b561.html
http://www.chinapoesy.com/gongxi ... 2-bb3e16722ee3.html
三、对联体诗是两副对联合成的诗，来源于对联，也即是来源于唐诗律句第三四第五六句对仗句，是一种格律体新诗， 与近现代诗人所写的新格律诗（即仿唐格律诗）不同。对联体诗具有唐诗对仗句特征，兼具宋词长短句的特征。每首四句，是绝句。部分是八句律句。每句用字字数相等，分别为三至二十一字，三十六字。目前国内已有多位诗人参与写作对联体诗。
四、对联体诗是中英文双语同时同步创作。一经定稿，即时在中美两国诗歌网站发表。目前创作了一万首。其中几千首已在美国《PoemHunter》诗歌网站上以英语音频形式播音。
https://www.poemhunter.com/poem/a-fillip/#content
https://www.poemhunter.com/poem/black-hackers/#content
https://www.poemhunter.com/poem/crisper/#content
五、同一首对联体诗，要么用古音，要么用今音。不可以古今音混押混对。古音押韵采用一佰零六部平水韵中的平韵。古音押韵也可以宽韵，采用古音平韵中的通韵。古音通韵是指第二、四、六、八句韵脚字可以通韵。今音押韵采用中华新韵十八韵的平韵（即普通话第一二声轻声）。用古韵不用今韵的一概繁体字排版；用今韵或古今韵相同的一概简体字排版。
六、对联体诗平仄参照律绝平仄顺延。对联体诗遵循一三五七九、十一、十三、十五、十七、十九不论，二四六八十、十二、十四、十六、十八、二十分明的原则。一副联，在双字分明位置上的字，上联该平的，写成仄了，下联对应的字原本仄的，就要改写成平。
七、对联体诗首句末字是仄声字，不是平声字。
八、对联体诗双句押平声韵，单句一般不押韵。单句押韵可以押仄声韵。对联体诗第二句与第三句为粘连句，其双字位置的字要粘连。
九、对联体诗每句用字已超出唐律绝的五言七言。平仄已无法依次顺延，也不可能不犯孤平。律则规定，写作时允许犯孤平，允许三仄尾对三平尾，允许四仄尾对四平尾。
十、根据联律“允许不同词性相对” 的规则，对联体诗同样可以“暖暖”对 “淙淙”，“声”对“响”。
十一、对联体诗每副对联由三字词组开头，除了上下联第一第三字可平可仄之外，其余上下联相同位置的字，平仄都要一一对仗。
十二、对联体诗由三字词组开头的第二句与第三句粘连句中，二句末字为平，三句末字为仄； 第一第三字可粘可不粘；其余相同位置的字，平仄都要一一粘连，即平仄要一一相同。
The Rule Of Two Pairs Of Couplets
1. The rule of Two Pairs Of Couplets is formulated by referring to poetry rule and couplet rule.
2. Two Pairs Of Couplets was founded on February 6, 2015, when Luo Zhihai wrote Two Pairs Of Couplets, " Bird in Silence and Mountain High ". By May 3, 2020, the 10,000th " From Ancient To Modern Times " has been written.
http://www.chinapoesy.com/gongxi ... 9-2a2d08b9b561.html
http://www.chinapoesy.com/gongxi ... 2-bb3e16722ee3.html
3. It is a poem composed of two pairs of couplets. It comes from couplets, that comes from the third and fourth, the fifth and sixth of antithesis sentences of regulated verse of Tang Dynasty, too. It is the metric new poetry. Different from the new poems of rules and forms of classical poetic composition written by modern poets (i.e. imitating Tang metrical poems). It has the characteristics of antithetical sentences in Tang poetry and concurrently has the characteristics of long and short sentences in Song lyrics. Four sentences in each poem. It’s quatrain. Some are eight lines of poems. Words of every sentence are same number of words. They are three to twenty-one words and thirty-six words. At present, many poets in China have participated in the writing of two pairs of couplets.
4. Two Pairs Of Couplets is created simultaneously and synchronously in both Chinese and English. Once finalized, immediately it will be published on the Chinese and American poetry websites. At present, 10,000 pieces have been created. Thousands of them have been broadcasted in English audio form on PoemHunter poetry website in the United States.
https://www.poemhunter.com/poem/a-fillip/#content
https://www.poemhunter.com/poem/black-hackers/#content
https://www.poemhunter.com/poem/crisper/#content
5. In the same Two Pairs Of Couplets, use ancient or modern pronunciation of Chinese characters. Can not be mixed with the ancient and modern. The ancient rhymes use level tones of the 106 Pingshui Rhymes. The ancient rhymes can also be broad rhymes, using the general purpose rhymes of level tones of the ancient rhymes. The general purpose rhymes of the ancient rhymes refers to that the rhyming words of the second, fourth, sixth and eighth sentences can use the general purpose rhymes. Modern rhymes use level tones of the 18 rhymes of the Chinese New Rhymes (i.e. first, second and light tones of mandarin.) All using ancient rhyme no modern rhyme is typeset with the original complex form of a simplified Chinese character. All using modern rhyme or ancient and modern in the same rhyme are typeset with simplified Chinese character.
6. The level and oblique tones of Two Pairs Of Couplets reference of continuing of the eight lines of poems and quatrains。 Two Pairs Of Couplets adhere to the principle of
one, three, five, seven, nine, eleven, thirteen, fifteen, seventeen and nineteen are no matter, two, four, six, eight, ten, twelve, fourteen, sixteen, eighteen and twenty are clear. A pair of couplet, its word in the position of the double word. The upper couplet should be the level, written in the oblique. Corresponding word of the lower couplet originally are oblique, just rewritten level.
7. Its last word of the first sentence is oblique word, not level word.
8. Its even numbers sentences are rhymed level tones. Its odd number sentences usually are not rhymed. They can be rhymed oblique tones. Words in its second and third sentences. They are the affixed sentences. Their words in two-word position, their level and oblique tones are affixed.
9. Each sentence of Two Pairs Of Couplets, its words have exceeded five words and seven words of the eight lines of poems and quatrains. The level and oblique tones already unable to continue sequentially. Also unable to be not single level. The rule regulate, when writing, it is allowed to be single level, It is allowed to be three oblique tail antithesis of level tail. It is allowed to be four oblique tail antithesis of four level tail.
10. According to couplet rule “Allowed to range of different part of speech in relative”, Two Pairs Of Couplets also can “warm warm” antithesis of “murmuring murmuring”, “voice” antithesis of “sound”.
11. Each couplet in Two Pairs Of Couplets begins with a three-words phrase, except for the first and third words in the first and second lines of a couplet can be the level tones or the oblique tones, the other words in the same position in the couplet should be in antithesis one by one.
12. The second and third affixed sentences at the beginning of a three-words phrase, except for the first and third words can be affixed or not, the other words in the same position should be affixed one by one. It means that the level tones or the oblique tones must be same.
第一稿12/28/2018罗志海/文by Luo Zhihai
第二稿5/3/2020罗志海/文by Luo Zhihai
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